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Mozart Piano Concertos Nos. 20 and 21 [Hardcover]

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  • Category: Books (Music)
  • Author:  Grayson, David
  • Author:  Grayson, David
  • ISBN-10:  0521481562
  • ISBN-10:  0521481562
  • ISBN-13:  9780521481564
  • ISBN-13:  9780521481564
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  156
  • Pages:  156
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-May-1999
  • Pub Date:  01-May-1999
  • SKU:  0521481562-11-MPOD
  • SKU:  0521481562-11-MPOD
  • Item ID: 100837476
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Dec 31 to Jan 02
  • Notes: Brand New Book. Order Now.
A guide to Mozart's two most popular piano concertos.This guide to Mozart's two most popular piano concertos -- the D minor, K. 466, and the C major, K. 467 -- presents the historical background of the works, placing them within the context of Mozart's compositional and performance activities at a time when his reputation as both composer and pianist was at its peak. The special nature of the concerto, as both a form and genre, is explored through a selective survey of some of the approaches that various critics have taken in discussing Mozart's concertos. The concluding chapter discusses a wide range of issues of interest to modern performers.This guide to Mozart's two most popular piano concertos -- the D minor, K. 466, and the C major, K. 467 -- presents the historical background of the works, placing them within the context of Mozart's compositional and performance activities at a time when his reputation as both composer and pianist was at its peak. The special nature of the concerto, as both a form and genre, is explored through a selective survey of some of the approaches that various critics have taken in discussing Mozart's concertos. The concluding chapter discusses a wide range of issues of interest to modern performers.This guide to Mozart's two most popular piano concertos--the D minor, K. 466, and the C major, K. 467 (the so-called Elvira Madigan )--presents the historical background of the works, placing them within the context of Mozart's compositional and performance activities at a time when his reputation as both composer and pianist was at its peak. The special nature of the concerto, as both a form and genre, is explored through a selective survey of some of the approaches that various critics have taken in discussing Mozart's concertos. The concluding chapter discusses a wide range of issues of interest to modern performers.1. Introduction; 2. Twentieth-century theories of Mozart's concerto form; 3. First movements; 4. Middle movements; 5. Finl$
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