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Recorded Music in American Life The Phonograph and Popular Memory, 1890-1945 [Paperback]

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  • Category: Books (Music)
  • Author:  Kenney, William Howland
  • Author:  Kenney, William Howland
  • ISBN-10:  0195171772
  • ISBN-10:  0195171772
  • ISBN-13:  9780195171778
  • ISBN-13:  9780195171778
  • Publisher:  Oxford University Press
  • Publisher:  Oxford University Press
  • Pages:  288
  • Pages:  288
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-Jul-2003
  • Pub Date:  01-Jul-2003
  • SKU:  0195171772-11-MPOD
  • SKU:  0195171772-11-MPOD
  • Item ID: 100871500
  • Seller: ShopSpell
  • Ships in: 2 business days
  • Transit time: Up to 5 business days
  • Delivery by: Dec 30 to Jan 01
  • Notes: Brand New Book. Order Now.
Have records, compact discs, and other sound reproduction equipment merely provided American listeners with pleasant diversions, or have more important historical and cultural influences flowed through them? Do recording machines simply capture what's already out there, or is the music somehow transformed in the dual process of documentation and dissemination? How would our lives be different without these machines? Such are the questions that arise when we stop taking for granted the phenomenon of recorded music and the phonograph itself.

Now comes an in-depth cultural history of the phonograph in the United States from 1890 to 1945. William Howland Kenney offers a full account of what he calls the 78 r.p.m. era --from the formative early decades in which the giants of the record industry reigned supreme in the absence of radio, to the postwar proliferation of independent labels, disk jockeys, and changes in popular taste and opinion. By examining the interplay between recorded music and the key social, political, and economic forces in America during the phonograph's rise and fall as the dominant medium of popular recorded sound, he addresses such vital issues as the place of multiculturalism in the phonograph's history, the roles of women as record-player listeners and performers, the belated commercial legitimacy of rhythm-and-blues recordings, the hit record phenomenon in the wake of the Great Depression, the origins of the rock-and-roll revolution, and the shifting place of popular recorded music in America's personal and cultural memories.

Throughout the book, Kenney argues that the phonograph and the recording industry served neither to impose a preference for high culture nor a degraded popular taste, but rather expressed a diverse set of sensibilities in which various sorts of people found a new kind of pleasure. To this end,Recorded Music in American Lifeeffectively illustrates how recorded music provided the focus for active recl“#
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