The political value of African American literature has long been a topic of great debate among American writers, both black and white, from Thomas Jefferson to Barack Obama. In his compelling new book,Representing the Race, Gene Andrew Jarrett traces the genealogy of this topic in order to develop an innovative political history of African American literature. Jarrett examines texts of every sort—pamphlets, autobiographies, cultural criticism, poems, short stories, and novels—to parse the myths of authenticity, popular culture, nationalism, and militancy that have come to define African American political activism in recent decades. He argues that unless we show the diverse and complex ways that African American literature has transformed society, political myths will continue to limit our understanding of this intellectual tradition.
Cultural forums ranging from the printing press, schools, and conventions, to parlors, railroad cars, and courtrooms provide the backdrop to this African American literary history, while the foreground is replete with compelling stories, from the debate over racial genius in early American history and the intellectual culture of racial politics after slavery, to the tension between copyright law and free speech in contemporary African American culture, to the political audacity of Barack Obamas creative writing. Erudite yet accessible, Representing the Race is a bold explanation of whats at stake in continuing to politicize African American literature in the new millennium.
There is much to learn from this project, for both experienced scholars and more casual readers. -Aldon Nielsen,
Journal of American History In this tour de force, Jarrett offers us a strikingly fresh and powerfully cogent paradigm for African American literary history and historiography more generally. An exemplary model of interdisciplinary inquiry,
Representing the Racedeftly engages fierce historic and contemporarylC&