This book uncovers important links between acting and authorship in early modern England.Nora Johnson's study uncovers important links between acting and authorship in early modern England. She traces the careers of Robert Armin, Nathan Field, Anthony Munday and Thomas Heywood, actors who were powerfully interested in marketing themselves as authors and celebrities; but the authorship they imagined had little to do with modern ideas of control and ownership. Shakespeare's famous silence about his own work is one strategy among many available to writers for the stage. Johnson provides an alternative to the debate between traditional and materialist readers of dramatic authorship.Nora Johnson's study uncovers important links between acting and authorship in early modern England. She traces the careers of Robert Armin, Nathan Field, Anthony Munday and Thomas Heywood, actors who were powerfully interested in marketing themselves as authors and celebrities; but the authorship they imagined had little to do with modern ideas of control and ownership. Shakespeare's famous silence about his own work is one strategy among many available to writers for the stage. Johnson provides an alternative to the debate between traditional and materialist readers of dramatic authorship.Uncovering important links between acting and authorship in early modern England, Nora Johnson traces the careers of Robert Armin, Nathan Field, Anthony Munday and Thomas Heywood, actors strongly interested in marketing themselves as authors and celebrities. However, the authorship they imagined had little to do with modern ideas of control and ownership. Shakespeare's famous silence about his own work is one strategy among many available to writers for the stage. Johnson provides an alternative to the debate between traditional and materialist readers of dramatic authorship.List of illustrations; Acknowledgements; Introduction: playing author; 1. Publishing the fool: Robert Armin and the collective produclƒ8