The story of a new style of artand a new way of lifein postwar America: confessionalism.
What do midcentury confessional poets have in common with todays reality TV stars? They share an inexplicable urge to make their lives an open book, and also a sense that this book can never be finished. Christopher Grobe argues that, in postwar America, artists like these forged a new way of being in the world. Identity became a kind of workalways ongoing, never completeto be performed on the public stage.
The Art of Confession tells the history of this cultural shift and of the movement it created in American art: confessionalism. Like realism or romanticism, confessionalism began in one art form, but soon pervaded them all: poetry and comedy in the 1950s and 60s, performance art in the 70s, theater in the 80s, television in the 90s, and online video and social media in the 2000s. Everywhere confessionalism went, it stood against autobiography, the art of the closed book. Instead of just publishing, these artists performedwith, around, and against the text of their lives.
A blend of cultural history, literary criticism, and performance theory, The Art of Confession explores iconic works of art and draws surprising connections among artists who may seem far apart, but who were influenced directly by one another. Studying extraordinary art alongside ordinary experiences of self-betrayal and -revelation, Christopher Grobe argues that a tradition of confessional performance unites poets with comedians, performance artists with social media users, reality TV stars with actorsand all of them with us. There is art, this book shows, in our most artless acts.
I must confess: I loveThe Art of Confession. In clear and stylish prose, with gusto and flourish, andthrough original arguments about the compulsion to confess and the compulsion to perform, Grobe has produced a stunning book. Broadly engaged, yet sharply focused, this workis culturall³Á