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EUSA documents American-themed places in Europe and European-themed places in America. Primarily portraiture, the photos are sentimental and idealized, a reaction to the homogenized, indistinguishable common world community, a direct result of globalization. In ?Olde-World? towns in California, Wisconsin or Iowa the respective Danish, Swiss, or Dutch heritage being celebrated is ostensibly that of a significant segment of the local population and reflects a desire for authenticity. In other places the ?heritage? is blatantly designed and marketed purely for its entertainment and touristic value. This is also the case with many of the Western theme-parks visited in Europe. Many of the pictures make it hard to locate when and where they where taken: are we in the US or somewhere in Europe? EUSA is an ambitious project that raises questions about authenticity, cultural identity, and appropriation, about the function of ?other-directed? places and their enduring appeal.Naomi Harris is a photographer from Toronto, Canada. She studied at the International Center of Photography in New York. Naomi has lived and photographed at a Miami Beach senior citizens hotel and attended thirty-eight swingers parties for the book America Swing s (published by TASCHEN and presented by Richard Prince). Naomi has driven across Canada and photographed the oldest citizen, the worlds largest coffee pot, albino twins and rescued a pregnant Shih Tzu. Naomi lived in her car traveling across the United States for nine months while becoming an American citizen. Naomi has visited more American-themed amusement parks in Europe and European themed towns in America than any other person for her project EUSA, coming 2017. Naomi currently splits her time between Los Angeles and Toronto.Erik Kessels (1966) is a Dutch artist, designer and curator with a particular interest in photography, and creative director of KesselsKramer, an advertising agency in Amsterdam. He is best known as a book publisher slC$
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