A collection of contemporary Canadian plays. Includes Gwen Pharis Ringwood'sStill Stands the House, Trey Anthony's'da Kink in my hair, Tara Beagan'sMiss Julie: Sheh'mah, Madeleine Blais-Dahlem'sLa Maculées Tain, Hillar Liitoja'sThe Last Supper, selections from the Impromptu Splendour series, Theatre Replacement'sBIOBOXES, and Zuppa Theatre'sPenny Dreadful.
Roberta Barker is Associate Professor of Theatre at Dalhousie University and the University of King’s College. She is the author ofEarly Modern Tragedy, Gender and Performance, 1984–2000: The Destined Livery. Her work on early modern and modern drama in performance has been published inShakespeare Survey,Shakespeare Quarterly,Modern Drama, andEarly Theatre, among other journals and essay collections, while her articles on contemporary Atlantic Canadian theatre have appeared inCanadian Theatre ReviewandTheatre in Atlantic Canada.
Kim Solga is Associate Professor of English at the University of Western Ontario and Senior Lecturer in Drama at Queen Mary, University of London. She is the author ofViolence Against Women in Early Modern Performance: Invisible Acts, and co-editor ofPerformance and the CityandPerformance and the Global City. Her work on Canadian performance has appeared inTheatre Research in Canada,Canadian Theatre Review,The Drama Review, andTheatre Journal, as well as in several essay collections.
A collection of eight contemporary Canadian plays, each of which may be defined as “realist.
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