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Nietzsche and Modernism: Nihilism and Suffering in Lawrence, Kafka and Beckett [Hardcover]

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  • Category: Books (Literary Criticism)
  • Author:  Smith, Stewart
  • Author:  Smith, Stewart
  • ISBN-10:  331975534X
  • ISBN-10:  331975534X
  • ISBN-13:  9783319755342
  • ISBN-13:  9783319755342
  • Publisher:  Palgrave Macmillan
  • Publisher:  Palgrave Macmillan
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-May-2018
  • Pub Date:  01-May-2018
  • SKU:  331975534X-11-SPRI
  • SKU:  331975534X-11-SPRI
  • Item ID: 101263596
  • List Price: $109.99
  • Seller: ShopSpell
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  • Delivery by: Dec 01 to Dec 03
  • Notes: Brand New Book. Order Now.

Reconfiguring Nietzsches seminal impact on modernist literature and culture, this book presents a distinctive new reading of modernism by exploring his sustained philosophical engagement with nihilism and its inextricable tie to pain and sickness. Arguing that modernist texts dramatize the frailty of the ill, the impotent, and the traumatised modern subject unable to render suffering significant through traditional religious means, it uses the Nietzschean diagnoses of nihilism and what he calls 'ressentiment', the entwined feelings of powerlessness and vindictiveness, as heuristic tools to remap the fictional landscapes of Lawrence, Kafka, and Beckett. Lucid, authoritative and accessible, this book will appeal internationally to literature and philosophy scholars and undergraduates as well as to readers in medical and sociological fields.


  

1. Introduction: Nietzsche, Nihilism and Modernism.- 2. Friedrich Nietzsche, Nihilism and Meaningless Suffering.- 3. D. H. Lawrences Lady Chatterleys Lover and the Erotic Transcendence of Nihilism.- 4. Franz Kafkas The Trial and the Interpretation of Suffering.- 5. Samuel Becketts Endgame and the Economy of Ressentiment.- 6. Conclusion: Affective Modernism.
Stewart Smith is an independent scholar. He obtained his PhD from the University of Southampton in 2016.Reconfiguring Nietzsches seminal impact on modernist literature and culture, this book presents a distinctive new reading of modernism by exploring his sustained philosophical engagement with nihilism and its inextricable tie to pain and sickness. Arguing that modernist texts dramatize the frailty of the ill, the impotent, and the traumatised modern subject denuded of the traditional means to justify or redeel³$

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