Accented America The Cultural Politics of Multilingual Modernism [Paperback]

American literary works written in the heyday of modernism between the 1890s and 1940s were playfully, painfully, and ambivalently engaged with language politics. The immigrant waves of the period fed into writers' aesthetic experimentation; their works, in turn, rewired ideas about national identity along with literary form.Accented Americalooks at the long history of English-Only Americanism-the political claim that U.S. citizens must speak a singular, shared American tongue-and traces its action in the language workshop that is literature. The broadly multi-ethnic set of writers brought into conversation here-including Gertrude Stein, Jean Toomer, Henry Roth, Nella Larsen, John Dos Passos, Lionel Trilling, Am?rico Paredes, and Carlos Bulosan-reflect the massive demographic shifts taking place during the interwar years. These authors share an acute awareness of linguistic standardization while also following the defamiliarizing sway produced by experimentation with invented and improper literary vernaculars. Rather than confirming the powerfully seductive subtext of monolingualism-that those who speak alike are ethically and politically likeminded-multilingual modernists compose literature that speaks to a country of synthetic syntaxes, singular hybrids, and enduring strangeness.

Series Editors' Foreword
Introduction: every kind of mixing

Chapter One: Reinventingvox Americana
Language, Hygiene, and National Security
Mencken and the Cultural Work of Polemical Philology
Contemporary American as Standard Vernacular

Chapter Two: Documenting American
A Standardization Not Imposed But Voluntarily Accepted

Chapter Three: Foreignizing english
The Making of Americans' Speech: Stein's Aural english
Multilingual Fusion and the Limits of Cosmopolitan Expression: Dos Passos'sU.S.A.
Locutions of Dislocation and the Political Uses lƒ–