Lighting Out for the Territory Reflections on Mark Tain and American Culture [Paperback]

Mark Twain has been called the American Cervantes, our Homer, our Tolstoy, our Shakespeare. Ernest Hemingway maintained that all modern American literature comes from one book by Mark Twain calledHuckleberry Finn. President Franklin Delano Roosevelt took the phrase New Deal fromAConnecticut Yankee in King Arthur's Court. Twain'sGilded Agegave an entire era its name. Twain is everywhere--in ads for Bass Ale, in episodes of Star Trek, as a greeter in Nevada's Silver Legacy casino. Clearly, the reports of his death have been greatly exaggerated. InLighting Out for theTerritory, Twain scholar Shelley Fisher Fishkin blends personal narrative with reflections on history, literature, and popular culture to provide a lively and provocative look at who Mark Twain really was, how he got to be that way, and what we do with his legacy today.
Fishkin illuminates the many ways that America has embraced Mark Twain--from the scenes and plots of his novels, to his famous quips, to his bushy-haired, white-suited persona. She reveals that we have constructed a Twain often far removed from the actual writer. For instance, we travel to Hannibal, Missouri, Mark Twain's home town, a locale that in his work is both the embodiment of the innocence of childhood and also an emblem of hypocrisy, barbarity, and moral rot. The author spotlights the fact that Hannibal today attracts hundreds of thousands of tourists and takes in millions yearly, by focusing on Tom Sawyer's boyhood exploits--marble-shoots and white-washed fences--and ignoring Twain's portraits of the darker side of the slave South. The narrative moves back and forth from modern Hannibal to antebellum Hannibal and to Mark Twain's childhood experiences with brutality and slavery. Her exploration of those subjects in his work shows that Tom Sawyer's fence isn't the only thing being white-washed in Hannibal. Fishkin's research yields fresh insights into the remarkable stolƒ–