A collection of essays on the cultural role of performing women on stage and on screen.A unique collection of essays on the cultural role of performing women on stage and on screen, throughout history and across continents - from Nell Gwyn to Lillie Langtry, from Ellen Terry to Halle Berry. Its unique range will fascinate, surprise and instruct theatre-goers, scholars and students alike.A unique collection of essays on the cultural role of performing women on stage and on screen, throughout history and across continents - from Nell Gwyn to Lillie Langtry, from Ellen Terry to Halle Berry. Its unique range will fascinate, surprise and instruct theatre-goers, scholars and students alike.This Companion brings together sixteen new essays which examine, from various perspectives, the social and cultural role of the actress throughout history and across continents. Each essay focuses on a particular stage in her development, for example professionalism in the seventeenth century; the emergence of the actress/critic during the Romantic period and, later on, of the actress as best selling autobiographer; the coming of the drama schools which led to today's emphasis on the actress as a highly-trained working woman. Chapters consider the image of the actress as a courtesan, as a 'muse', as a representative of the 'ordinary' housewife, and as a political activist. The collection also contains essays on forms, genres and traditions - on cross dressing, solo performance, racial constraints, and recent Shakespeare - as well as on the actress in early photography and on film. Its unique range will fascinate, surprise and instruct theatre-goers and students alike.Introduction Maggie B. Gale and John Stokes; Part I. Turning Points: 1. Revolution, legislation and autonomy Gilli Bush-Bailey; 2. Spectacle, intellect and authority: the actress in the eighteenth century Elizabeth Eger; 3. Cultural formations: the nineteenth-century touring actress and her international audiences Gail MarslĂ#