A chance discovery provided the author with the key to unlocking the centuries old enigma of Botticelli'sPrimavera- the famous Renaissance masterpiece painted for the private viewing of a Medici. Its pagan figures in a paradisical spring meadow illuminated the cryptic world of the Renaissance pagan revival. Botticelli's allegory emerged to address its personal message directly to a young Medici, one of the known world's richest young men. Botticelli's cleverly disguised message for Lorenzo Minore, is to be found on the right side ofLa Primavera, where Chloris draws Zephyr's attention to it. This book is extremely well researched and beautifully produced with eighty color plates, a full pullout reproduction ofLa Primaveraand numerous details from this and other Renaissance paintings. Lane-Spollen clearly explains the fusion of Christian and pagan imagery which is reflected inLa Primavera, placing it in the wider context of the history, religion and politics of the period. The author employs a readable style which will make this book suitable for those familiar with this period looking for more detail about a beloved painting, and those who are new to the Renaissance and Art History. Lane-Spollen gives a clear overview of why and how Botticelli conveyed his message in code: An esteemed circle of scholars around the Medici, disillusioned with a worldly and corrupted medieval Church, searched for a purer, unadulterated Christianity in the pre-Christian foundations of their faith. This was a dangerous occupation in a society where the reach of the Church was present in all matters public and private. In 1460 a manuscript was brought to Cosimo de'Medici. Its author, Hermes, was revered by Augustine and the early Church Fathers. Its revelations on the true nature of Man held the evidence they were seeking and stood in stark contrast to the teachings of the medieval church and had no place for man as a lowly humble silsL