The book should be a treat for people who love science fiction television series . . . It contains a wealth of facts and interesting contexts. . . .[This book] is recommended for anyone who wants to understand ufomytens [UFOs] development.This is a helpful volume, and one that should be appreciated by scholars.This book explores a genre of American science fiction television which emerged in the 1990sthat of conspiratorial science fiction.Toward the end of the twentieth century, science fiction television took a dark turn. Series like The X-Files, Millennium, and Dark Skies wove menacing technologies, paranormal forces, and shadowy government agencies into complex tales of corruption and cover-ups. Mind control, alien abductions, secret government laboratories, and implacable men in black moved from the fringes to the mainstream of American culture, making weekly appearances in living rooms everywhere. Other series that played on fears of new technologiessuch as virtual realityset the stage for unfamiliar kinds of exploitation, while Dark Angel offered glimpses of a near-future wasteland devastated by a technological catastrophe.In The Paranormal and the Paranoid: Conspiratorial Science Fiction Television, Aaron John Gulyas explores the themes that permeated and defined science fiction television at the turn of the millennium. The author traces the roots of this phenomenon in an earlier generation of series including The Invaders, Kolchak: The Night Stalker, and Project U.F.O. and examines how changes in the cultural landscape led to the proliferation of these types of shows. This book delves into the internal mythology of shows like The X-Files, resurrects now-forgotten series like Wild Palms and VR.5, and provides an important glimpse into American culture at the close of the twentieth century.While exploring the pervasive grimness of these shows, Gulyas also examines how they offer hope in the form of heroeslike agents Scully and Mulderwho relentlessly dugló–