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In 1976, the critic Paul Nelson spent several weeks interviewing his literary hero, legendary detective writer Ross Macdonald. Beginning in the late 1940s with his shadowy creation, ruminating private eye Lew Archer, Macdonald had followed in the footsteps of Dashiell Hammett and Raymond Chandler, but ultimately elevated the form to a new level. We talked about everything imaginable, Nelson wroteincluding Macdonalds often meager beginnings; his dual citizenship; writers, painters, music, books, and movies he admired; how he used symbolism to change detective writing; his own novels and why Archer was not the most important charactermy God, everything.A book that any devotee of American detective fiction would kill for. For fans of Ross Macdonald, the finest American detective novelist of the 1950s and 60s, its an absolute essential.A?lush coffee table book filled with a dizzying array of graphic materials: countless images of various covers of Macdonalds novels, clips of his magazine articles, reproductions of parts of his personal letters, pictures of some of the books from his collection, posters advertising the films made from his novels, and on and on.Insightful and engaging, the book is also lovely to look at: It's filled with rare-edition covers of Macdonald's books as well as reproductions of photos of the author with celebrity friends.Macdonald's razor-sharp prose elevated the detective novel to a new level, and the interviews and illustrations add to this icon's luster.This is a prose series of unpublished interviews with, and a visual retrospective of, the seminal mid- to late-20th century literary crime writer.
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