This book proposes that the idea of the Jews in European cultures has little to do with actual Jews, but rather is derived from the conception of Jews as Christianity's paradigmatic Other, eternally reenacting their morally ambiguous New Testament role as the Christ-bearing and -killing chosen people of God. Through new readings of canonical Russian literary texts by Gogol, Turgenev, Chekhov, Babel, and others, the author argues that these European writersChristian, secular, and Jewishbased their representation of Jews on the Christian exegetical tradition of anti-Judaism. Indeed, Livak disputes the classification of some Jewish writers as belonging to Jewish literature, arguing that such an approach obscures these writers' debt to European literary traditions and their ambivalence about their Jewishness.
This work seeks to move the study of Russian literature, and Russian-Jewish literature in particular, down a new path. It will stir up controversy around Christian-Jewish cultural interaction; the representation of otherness in European arts and folklore; modern Jewish experience; and Russian literature and culture.
This book argues that the representation of Jews in European literature has little to do with actual, human Jews, but rather is derived from the conception of Jews as Christianity's paradigmatic Other, eternally reenacting their morally ambiguous New Testament role as the Christ-bearing and -killing chosen people of God.
The Jewish Persona in the European Imaginationcontributes a new understanding both of familiar Russian literary texts and less familiar East Slavic religious and folkloric texts. Livak's theory is powerfully explanatory and will excite controversy and debate. The bibliography of primary and secondary sources is quite useful.
The Jewish Personashould be of special interest to those wishing to explore the role that the image of Jewsor 'the jews'might play in the psycho-sexual biography of non-Jewish writl£!