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John Ford's Stagecoach [Paperback]

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  • Category: Books (Performing Arts)
  • ISBN-10:  0521797438
  • ISBN-10:  0521797438
  • ISBN-13:  9780521797436
  • ISBN-13:  9780521797436
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  256
  • Pages:  256
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2002
  • Pub Date:  01-May-2002
  • SKU:  0521797438-11-MPOD
  • SKU:  0521797438-11-MPOD
  • Item ID: 101417140
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Dec 26 to Dec 28
  • Notes: Brand New Book. Order Now.
Offers a rich overview of this classic in essays by six leading film critics.Stagecoach is one of the classics of Hollywood cinema. Made in 1939, it revitalized the Western genre, served as a milestone John Ford's career, and made John Wayne a star. This volume offers a rich overview of the film in essays by six leading film critics. Approaching Stagecoach from a variety of critical perspectives, they place the film within the contexts of authorship, genre, American history and culture. Also examined are the film's commentary on race, class, gender and democracy, while remaining attentive to the film's artistry.Stagecoach is one of the classics of Hollywood cinema. Made in 1939, it revitalized the Western genre, served as a milestone John Ford's career, and made John Wayne a star. This volume offers a rich overview of the film in essays by six leading film critics. Approaching Stagecoach from a variety of critical perspectives, they place the film within the contexts of authorship, genre, American history and culture. Also examined are the film's commentary on race, class, gender and democracy, while remaining attentive to the film's artistry.Stagecoach is one of the classics of Hollywood cinema. Made in 1939, it revitalized the Western genre, served as a milestone for John Ford's career, and made John Wayne a star. This volume offers a rich overview of the film in essays by six leading film critics. Approaching Stagecoach from a variety of critical perspectives, it considers it within the contexts of authorship, genre, American history and culture. It also examines the film's commentary on race, class, gender and democracy, while remaining attentive to the film's artistry.Introduction: spokes in the wheels Barry Keith Grant; 1. Stagecoach and Hollywood's A-western renaissance Thomas Schatz; 2. 'Powered by a Ford'?: Dudley Nichols, authorship, and cultural ethos in Stagecoach Charles J. Maland; 3. That past, this present: historicizing John Ford, 1939 Leland Pló&
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