The Labyrinth [Hardcover]

$38.99     $60.00   35% Off     (Shipping shown at checkout) (Free Shipping)
available
  • Category: Books (Art)
  • Author:  Steinberg, Saul
  • Author:  Steinberg, Saul
  • ISBN-10:  1681372436
  • ISBN-10:  1681372436
  • ISBN-13:  9781681372433
  • ISBN-13:  9781681372433
  • Publisher:  New York Review Books
  • Publisher:  New York Review Books
  • Pages:  288
  • Pages:  288
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-Jul-2018
  • Pub Date:  01-Jul-2018
  • SKU:  1681372436-11-SPLV
  • SKU:  1681372436-11-SPLV
  • Item ID: 102504468
  • List Price: $60.00
  • Seller:
  • Ships in: business days
  • Transit time: Up to business days
  • Delivery by: to
  • Notes:
  • Restrictions:
  • Limit: per customer
  • Cart Requirements: .MIN_ORD_MSG}}

A seminal work by an artist whose drawings inThe New Yorker,LIFE,Harper's Bazaar, and many other publications influenced an entire generation of American artists and writers.

Saul Steinberg’sThe Labyrinth, first published in 1960 and long out of print, is more than a simple catalog or collection of drawings— these carefully arranged pages record a brilliant, constantly evolving imagination confronting modern life. Here is Steinberg, as he put it at the time, discovering and inventing a great variety of events: Illusion, talks, music, women, cats, dogs, birds, the cube, the crocodile, the museum, Moscow and Samarkand (winter, 1956), other Eastern countries, America, motels, baseball, horse racing, bullfights, art, frozen music, words, geometry, heroes, harpies, etc.” This edition, featuring a new introduction by Nicholson Baker, an afterword by Harold Rosenberg, and new notes on the artwork, will allow readers to discover this unique and wondrous book all over again.“Aggregating Steinberg’s published works and private sketches, The Labyrinth represents not just his creative output but also a diary of sorts. A significant portion consists of drawings of people and landmarks he saw during his 1956 trip to Russia on assignment for The New Yorker, and there are selections from his mural The Americans from the American Pavilion at the 1958 World’s Fair in Brussels…Scenes of everyday life and abstract cartoons form a panoply of views of society as Steinberg saw it during this time period. No one had an eye like he did on the world around him.” —Dan Schindel, Hyperallergic
 
“The book opens with an extended, tour-de-force version of a Steinberg classic, the Line, seven pages unified by a single horizontal line that functions in myriad ways, as a timeline of history, a horizon line, the linló˛

Add Review