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“An excellent novel. A lovely and moving portrait of society’s outcasts…affirms the essential humanity of its poor and stubborn residents, for whom each day of survival is a victory” (The New York Times Book Review).
Set on the high ground at the heart of Cape Ann, the village of Dogtown is peopled by widows, orphans, spinsters, scoundrels, whores, free Africans, and “witches.” Among the inhabitants of this hamlet are Black Ruth, who dresses as a man and works as a stonemason; Mrs. Stanley, an imperious madam whose grandson, Sammy, comes of age in her brothel; Oliver Younger, who survives a miserable childhood at the hands of his aunt; and Cornelius Finson, a freed slave. At the center of it all is Judy Rhines, a fiercely independent soul, deeply lonely, who nonetheless builds a life for herself against all imaginable odds.
Rendered in stunning, haunting detail, with Anita Diamant’s keen ear for language and profound compassion for her characters,The Last Days of Dogtownis an extraordinary retelling of a long-forgotten chapter of early American life.Scribner Reading Group Guide:The Last Days of Dogtown
By Anita Diamant
1. Diamant explains in her Author's Note that, though Dogtown was a real village, her stories are woven from the thinnest of historical threads. Does the novel feel authentic to you nonetheless? Why or why not? What things has Diamant done to bring this New England ghost town back to life?
2. On page 20, we learn of the relationship between Cornelius and Judy. Discuss their situation. Do you sympathize with Cornelius' fear? Or do you think he unfairly abandoned Judy?
3. Ruth speaks little and reveals less. What can we tell about her through her relationship with Easter, and what is the significance of Ruth's identifying Easter with Mimba?
4. What sorts of things do the women of Dogtown do to demonstrate their independence? Consider Easter, Ruth, Judy, Mol£$
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