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This volume is the first to provide a book-length study of Pinters overtly political activity. With chapters on political drama, poetry, and speeches, it charts a consistent tension between aesthetics and politics through Pinters later career and defines the politics of the work in terms of a pronounced sensory dimension and capacity to affect audiences. The book brings to light unpublished letters and drafts from the Pinter Archive in the British Library and draws his political poems and speeches, which have previously been overshadowed by his plays, into the foreground. Intended for students, instructors, and researchers in drama and theatre, performance studies, literature, and media studies, this book celebrates Pinters later life and work by discerning a coherent political voice and project and by registering the complex ways that project troubles the divide between aesthetics and politics.Harold Pinter (1930-2008) is one of the foremost twentieth-century dramatists/ playwrights in Britain as well as the world. This new book offers a comprehensive overview of Pinter's work across various media including political dramas, poetry, screenplays, and his activism.
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