Loft Jazz Improvising New York in the 1970s [Paperback]

The New York loft jazz scene of the 1970s was a pivotal period for uncompromising, artist-produced work. Faced with a flagging jazz economy, a group of young avant-garde improvisers chose to eschew the commercial sphere and develop alternative venues in the abandoned factories and warehouses of Lower Manhattan.Loft Jazzprovides the first book-length study of this period, tracing its history amid a series of overlapping discourses surrounding collectivism, urban renewal, experimentalist aesthetics, underground archives, and the radical politics of self-determination.

Michael C. Helleris an ethnomusicologist, music historian, and Assistant Professor of Music at the University of Pittsburgh.

“A long-awaited, in-depth study of the loft music phenomena of the 1970s. Based on firsthand accounts, it tells the story of musicians, largely African American, in this time of intense creativity and of self-determination. It is a story that needs to be told as the musical evolution, largely ignored, continues into the present.”—William Parker, bassist, composer, and author

“During the 1970s, when graying critics were writing jazz’s epitaph, a pioneering group of musicians turned spaces of postindustrial abandonment into creative performance spaces, art houses, bohemian assemblies, sites of self-determination, and historical archives. Michael C. Heller tells these musicians’ stories, and the stories behind their stories, with a flowing, searching quality matched only by the words of the musicians themselves. A beautiful book, a free jazz study at its best.”—Robin D. G. Kelley, author ofThelonious Monk: The Life and Times of an American Original

“Heller brilliantly reconstructs the loft jazz scene through a community history of rare depth, insight, and creativity. Building on Juma Sultan’s remarkable archive of documents and personal recordings, Heller upelà