Acknowledgements
Introduction: From the Small Screen to the Big Picture
1 Class and Creative Labour
2 Mode of Production: Technology and New Media
3 Powers of Capital: Hollywood’s Media-Industrial Complex
4 The State: Regulating the Impossible
5 Base-Superstructure: Reconstructing the Political Unconscious
6 Signs, Ideology and Hegemony
7 Commodity Fetishism and Reification: The World Made Spectral
8 Knowledge, Norms and Social Interests: Dilemmas for Documentary
9 Conclusion: Reflections on Key Concepts and Contemporary Trends
Notes
Bibliography
Index