The historian Lawrence Stone argued that the 18th century reconceived marriage as a 'companionate' arrangement founded on mutual affection. Thomason complicates Stone's argument by analyzing the rhetorical self-fashioning of six women writers, nearly all of the social elite. As Thomason demonstrates, women theorized the companionate marriage ideal, rather than taking it as a fait accompli, and shaped their characters to maximize their own freedoms. Thus, Dorothy Osborne and Mary Wortley Montagu both secured their own choice of husband by variously performing the roles of good daughter, virtuous maiden, and canny economist. Similarly, in her correspondence with Samuel Richardson, Hester Chapone cast herself as subject to patriarchal authority in order to undermine the assertion that daughters were obliged to marry as their families desired, while Mary Delany, warning against 'mercenary' marriages, emphasized that marital success was not solely the wife's obligation. Sarah Scott's fiction underlines the emotional toll of arranged marriages, and Eliza Haywood's advice literature tries to codify the attitudes and behaviors that will make companionate marriage a success. Thomason usefully reminds the reader that even conservative rhetorics of gender offered considerable room for rhetorical play and self-determination. Summing Up: Recommended. Upper-division undergraduates through faculty.Laura E. Thompsons The Matrimonial Trap: Eighteenth Century Women Writers Redefine Marriage offers scholars an engaging insight into the ways that women of the long eighteenth century viewed themselves as active participants in the marriage economy. . . .Thompsons study of marriage provides a thoughtful examination of how women writers consciously and meticulously honed through writing their identities as women and would-be wives. She demonstrates that these women harnessed the power of rhetorical restraint and audience analysis in ways that were sophisticated and used those skills to lC‰