This volume is a collection of all-new original essays covering everything from feminist to postcolonial readings of the play as well as source queries and analyses of historical performances of the play.
The Merchant of Veniceis a collection of seventeen new essays that explore the concepts of anti-Semitism, the work of Christopher Marlowe, the politics of commerce and making the play palatable to a modern audience. The characters, Portia and Shylock, are examined in fascinating detail. With in-depth analyses of the text, the play in performance and individual characters, this book promises to be the essential resource on the play for all Shakespeare enthusiasts.
Acknowledgments Contributors General Editor's Introduction Introduction,
John W. Mahon and Ellen Macleod Mahon Shakespeare's
Merchantand Marlowe's Other Play,
Murray J. Levitch Jewish Daughters: The Question of Philo-Semitism in Elizabethan Drama,
John Ozark Holmer Jessica,
John Drakakis Textual Delivery in
The Merchant of Venice,
John F. Andrews Portia and the Ovidian Grotesque,
John W. Velz Does Source-Criticism Illuminate the Problems of Interpreting
The Merchantas a Soured Comedy?
John K. Hale Shylock Is Content: A Study in Salvation,
Hugh J. Short Isolation to Communion: A Reading of William Shakespeare's
The Merchant of Venice,
Maryellen Keefe The Less into the Greater: Emblem, Analogue, and Deification in
The Merchant of Venice,
John Cunningham and Stephen Slimp Nerissa Teaches Me What to Believe : Portia's Wifely Empowerment in
The Merchant ofVenice,
Corrine S. AbatelS"