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This revelatory survey of Surrealist masterworks of the 1930s and 1940s by artists such as Salvador Dalí, Joan Miró, Max Ernst, and André Masson presents the movement through a new and timely lens--that of war, violence, and exile.
During the pivotal years between the world wars, Surrealist artists on both sides of the Atlantic responded through their works to the rise of Hitler and the spread of Fascism in Europe, resulting in a period of surprising brilliance and fertility. Monstrosities in the real world bred monsters in paintings and sculpture, on film, and in the pages of journals and artists' books.
Despite the political and personal turmoil brought on by the Spanish Civil War and World War II, avant-garde artists in Europe and those who sought refuge in the United States pushed themselves to create some of the most potent and striking images of the Surrealist movement. Trailblazing essays by four experts in the field trace the experimental and international extent of Surrealist art during these years--and, perhaps most unexpectedly of all, its irrepressible beauty.Oliver Tostmannis Susan Morse Hilles Curator of European Art at the Wadsworth Atheneum Museum of Art in Hartford, Conn. Previously he was a curator at the Isabella Stewart Gardner Museum, Boston, where he curated the exhibitionsAnders Zorn. A European Artist Seduces America(2013);Donatello, Michelangelo, Cellini. Sculptors' Drawings from Renaissance Italy(2014); andOrnament & Illusion: Carlo Crivelli of Venice(2015).
Oliver Shellis Associate Curator at the Baltimore Museum of Art, curated various shows at the BMA, among themMatisse Painter as Sculpture(2007);Rodin Expression and Influence(2007);A Circus Family: Picasso to Léger (2009); Advancing Abstraction in Modern Sculpture(2010/11); andGerman Expressionism: A Revolutionary Spirit(2014).
Robin Adèle Greeleyis Assol˝
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