This book explores how the figure of the Prophet Muhammad was misrepresented in English and wider Christian culture between 1480 and 1735.This book explores how the figure of the Prophet Muhammad was misrepresented in English and wider Christian culture between 1480 and 1735. By tracing the ways in which 'Mahomet' was written and rewritten, contested and celebrated, this study explores notions of identity and religion, and the resonances of this history today.This book explores how the figure of the Prophet Muhammad was misrepresented in English and wider Christian culture between 1480 and 1735. By tracing the ways in which 'Mahomet' was written and rewritten, contested and celebrated, this study explores notions of identity and religion, and the resonances of this history today.The figure of 'Mahomet' was widely known in early modern England. A grotesque version of the Prophet Muhammad, Mahomet was a product of vilification, caricature and misinformation placed at the centre of Christian conceptions of Islam. In Mythologies of the Prophet Muhammad in Early Modern English Literature Matthew Dimmock draws on an eclectic range of early modern sources literary, historical, visual to explore the nature and use of Mahomet in a period bounded by the beginnings of print and the early Enlightenment. This fabricated figure and his spurious biography were endlessly recycled, but also challenged and vindicated, and the tales the English told about him offer new perspectives on their sense of the world its geographies and religions, near and far and their place within it. This book explores the role played by Mahomet in the making of Englishness, and reflects on what this might reveal about England's present circumstances.Preface; Acknowledgements; List of illustrations; Introduction: fabricating Mahomet; Part I. 'Well Rehearsed' in 'Books Old': Early Print and the Life of Mahomet: 1. From Polychronicon to The Golden Legend (and back); 2. The Fall of Princes; 3. Sir Johl£o