1666: The Great Fire of London sweeps through the streets and a heavily pregnant woman flees the flames. A few months later she gives birth to a child disfigured by a red birthmark.1718: Sixteen-year-old Eliza Tally sees the gleaming dome of St. Paul’s Cathedral rising above a rebuilt city. She arrives as an apothecary’s maid, a position hastily arranged to shield the father of her unborn child from scandal. But why is the apothecary so eager to welcome her when he already has a maid, a half-wit named Mary? Why is Eliza never allowed to look her veiled master in the face or go into the study where he pursues his experiments? It is only on her visits to the Huguenot bookseller who supplies her master’s scientific tomes that she realizes the nature of his obsession. And she knows she has to act to save not just the child but Mary and herself.
PRAISE FOR
THE NATURE OF MONSTERS As a storyteller, Clark is endowed with verve and intelligence, but her larger gift, dazzlingly in evidence throughout both her fine novels, lies in the originality of her imagination. She gives us a world that feels alive and intense, magnificently raw. —The New York Times Book Review
The pleasures here are many, and one hopes this latest excursion into the underside of historic London won't be her last. —BookForum
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1718
Afterwards, when I knew that I had not loved him at all, the shock was all in my stomach, like the feeling when you miscount going upstairs in the dark and climb a step that is not there. It was not my heart that was upset but rather my balance. I had not yet learned that it was possible to desire a man so and not love him a little.
Oh, I longed for him. When he was not there, the hours passed so slowly that it seemed that the l#¦
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