Ne Silent Cinema [Paperback]

With the success of Martin Scorseses Hugo(2011) and Michel Hazanaviciuss The Artist (2011) nothing seems more contemporary in recent film than the styles, forms, and histories of early and silent cinemas. This collection considers the latest return to silent film alongside the larger historical field of visual repetitions and affective currents that wind their way through 20th and 21st century visual cultures. Contributors bring together several fields of research, including early and silent cinema studies, experimental and new media, historiography and archive theory, and studies of media ontology and epistemology. Chapters link the methods, concerns, and concepts of early and silent film studies as they have flourished over the last quarter century to the most recent developments in digital culturefrom YouTube to 3Drecasting this contemporary phenomenon in popular culture and new media against key debates and concepts in silent film scholarship. An interview with acclaimed Canadian filmmaker Guy Maddin closes out the collection.

Introduction: Celluloid Specters, Digital Anachronisms Paul Flaig and Katherine Groo 1. Alice in the Archives Katherine Groo2. Eternally Early Brian Price3. Historicity begins with decay and ends with the pretense of immortality : An Interview with Paolo Cherchi Usai 4. Paris 1900: Archiveology and the Compilation Film Catherine Russell5. After Life, Early Cinema: Remaking the Past with Hirokazu Kore-eda Jonah Corne6. Playback, Play-forward: Anna May Wong in Double Exposure Yiman Wang7. The Living Nickelodeon and Silent Film Sound Today: An Interview with Professor Rick Altman 8. Intertext As Archive: M?li?s, Hugo, and New Silent Cinema Constance Balides9. Cross-Medial Afterlives: The Film Archive in Contemporary Fiction Joshua Yumibe10. Supposing thl“ñ