It was curious how the presence of Mr. Thornton had power over Mr. Hale to make him unlock the secret thoughts which he kept shut up even from Margaret. Whether it was that her sympathy would be so keen, and show itself in so lively a manner, that he was afraid of the reaction upon himself, or whether it was that to his speculative mind all kinds of doubts presented themselves at such a time, pleading and crying aloud to be resolved into certainties, and that he knew she would have shrunk from the expression of any such doubts-nay, from him himself as capable of conceiving them-whatever was the reason, he could unburden himself better to Mr. Thornton than to her of all the thoughts and fancies and fears that had been frost-bound in his brain till now. -from Chapter XXXV: Expiation As interest in 19th-century English literature by women has been reinvigorated by a resurgence in popularity of the works of Jane Austen, readers are rediscovering a writer whose fiction, once widely beloved, fell by the wayside. British novelist ELIZABETH CLEGHORN GASKELL (1810-1865)-whose books were sometimes initially credited to, simply, Mrs. Gaskell -is now recognized as having created some of the most complex and broadminded depictions of women in the literature of the age, and is today justly celebrated for her precocious use of the regional dialect and slang of England's industrial North. North and South-Gaskell's fourth novel, which was originally serialized in 1854 and 1855 in the periodical Household Words, edited by Gaskell's friend Charles Dickens-draws on Gaskell's own life as the wife of a progressive preacher in Manchester for its tale of the tumultuous romance between a minister's daughter and a wealthy mill owner. The plight of the poor as well as the class divisions of the era come to the fore here, and helped establish the author's reputation as a champion of the working class. Adapted as an acclaimed 2004 BBC miniseries, this is perhaps Gaskell's most beloved worklC"