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Notes from the Dream Houseis a "best of" selection of reviews by the celebratedObserverfilm critic, Philip French. Spanning half the history of cinema, his reviews cover a great variety of films, from westerns and gangsters to art movies and musicals—the hits and the misses, the good, the bad and the ugly. French takes on films as disparate asThe Gospel According to St MatthewandTed, The Remains of the DayandCaligula. His reviews are personal, witty, and sharply perceptive. Time and again he reveals not only an encyclopaedic knowledge of cinema but also an erudition, an enthusiasm, and a boundless curiosity. Taken together, they form an illuminating commentary on modern culture; but above all they are a distillation of one man’s lifelong love of cinema, a worthy memorial to one of the most respected and beloved of modern critics.
Philip Frenchwas born in Liverpool in 1933. He did his national service in the Parachute Regiment and was educated at Exeter College, Oxford and in the United States at Indiana University, Bloomington. He spent most of his career as a talks producer for BBC Radio.
He wrote movie essays and reviews from the early 1960s onwards for a variety of magazines and newspapers. Between 1973 and 2013 he was film critic for theObserver. In 1986 he was on the jury of the Cannes Film Festival, and in 1988 was a member of the Booker Prize jury. He was the Critics Circle Critic of the Year in 2003 and the British Press Awards Critic of the Year in 2009. He became an Honorary Member of BAFTA in 2008 and a Fellow of the British Film Institute in 2013. In 2013 he was awarded an OBE.
He wrote or edited numerous books includingThe Movie Moguls(1969),Westerns: Aspects of a Movie Genre(1974) andThe Faber Book of Movie Verse(co-edited with Ken Wlaschin, 1993). A husband and father of three sons, French died in 2015. In 2016 the Critlă5
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