First published in 1862, these historical and philosophical essays explore the fascinating connection between music and the human mind.Published in 1862, these essays present the theories of the philosopher and historian Joseph Goddard (18331910) on the connection between music and the human mind. They show how musical phenomena such as rhythm, tone and phrase are more effective than any other art form in expressing thought and morality.Published in 1862, these essays present the theories of the philosopher and historian Joseph Goddard (18331910) on the connection between music and the human mind. They show how musical phenomena such as rhythm, tone and phrase are more effective than any other art form in expressing thought and morality.Joseph Goddard (18331910) was a philosopher and historian of the music of the late eighteenth and early nineteenth centuries. In this collection of essays, first published in 1862, he argues that 'music is the most original and perfect offspring of the human mind'. He first demonstrates this by comparing music with the other fine arts in their expression of emotion, and shows music to have its roots in language, as both depend on principles of rhythm, tone and phrase. He then illustrates how these elements can express the full spectrum of human thought and morality, including truth, faith, imagination and intellect, and asserts that they stand above all other art forms in their ability to do so. Concluding with an analysis of how the laws of life, nature and the supernatural are manifested in music, this judicious work remains important in the fields of music philosophy and theory.Introductory remarks; The relationship of music to the other fine arts; The moral theory of music; The laws of life in art.