Pity the Drowned Horsesis the winner of the first Andres Montoya Poetry Prize. This collection is about place and many of the poems in it are set in the desert southwest on the U.S./Mexico border in El Paso, Texas. Sheryl Luna’s poems are also about family and home within the broader context of the border as both a bridge and a barrier. They deal with the bilingual and bicultural city and how a place is longed for and viewed very differently as the observer changes and experiences other cultures.
The first two sections of poems focus on home and family. They show that, despite poverty and geographical isolation, the border towns of El Paso and Ciudad Juarez are places of beauty and promise. The third section explores cultures: how anxiety over aesthetic judgments, values, and difference are negotiated. The final section is one of praise and recognition that despite differences we are all longing for faith and a place to call home.
"... there's a weighty mournfulness to Luna's borderlands, where the stark poverty of Mexico butts against the brash, unyielding sprawl of her American city. Pity the Drowned Horses takes its reader across a ravaged landscape where ... the last few hares sprint across a bloodied/highway and there are women everywhere/who have half-lost their souls/in sewing needles and vacuum-cleaner parts. In this world of little comfort, Luna is intent on seeking meaning—however bitter—in the emptiness and meditating on the redeeming power of language."—The Texas Observer, January 13, 2006
"In her opening poem, Luna declares that 'pain is living and living is pain,' but while she relentlessly probes the hardscrabble lives of many of America's Latinos, these poems aren't grim reading. They're transfigured by this debut author's extraordinary lyric power." —Library Journal, August 1, 2005