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Modern audiovisual media have spawned a ‘plague of fantasies’, electronically inspired phantasms that cloud the ability to reason and prevent a true understanding of a world increasingly dominated by abstractions—whether those of digital technology or the speculative market.
Into this arena, enters iek: equipped with an agile wit and the skills of a prodigious scholar, he confidently ranges among a dazzling array of cultural references—explicating Robert Schumann as deftly as he does John Carpenter—to demonstrate how the modern condition blinds us to the ideological basis of our lives.“The most formidably brilliant exponent of psychoanalysis, indeed of cultural theory in general, to have emerged from Europe in some decades.”—Terry Eagleton
“Unafraid of confrontation and with a near limitless grasp of pop symbolism.”—Times of London
“iek unfolds in this text a theory of the workings of postmodern ideology that is often breathtaking in its scope and acuity.”—Postmodern CultureSlavoj iekis a Slovenian philosopher and cultural critic. He is a professor at the European Graduate School, International Director of the Birkbeck Institute for the Humanities, Birkbeck College, University of London, and a senior researcher at the Institute of Sociology, University of Ljubljana, Slovenia. His books includeLiving in the End Times,First as Tragedy, Then as Farce,In Defense of Lost Causes, four volumes of the Essential iek, and many more.GB
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