The problem of the general political inclinations of the petite bourgeoisie, and especially its relationship to fascism, is one of the major questions currently facing historians dealing with European society in the past one hundred years. Independent artisans have at best been seen as an anachronism in the industrial age. Often, they are regarded as the social basis of the fascist movements of the 1920s and 30s because of their supposedly reactionary class interests. Unfortunately, such sweeping analyses--by both Marxists and non-Marxists alike--have been based largely on one case, that of Germany. It is France however, that has been considered the pre-eminent nation of the petit bourgeois, and fascism had only limited appeal there. This is the central question Zdatny addresses in this book as he examines the social and political history of the archetypical petite bourgeois, the self-employed craftsmen of France.
Will stand for a long time to come as a major landmark in the history of small producers in France. --
Journal of Social History An extremely well documented study....He traces with exceptional clarity the history of the artisan struggle to survive in an age of increasing industrialization....Zdatny has taken a heretofore unknown quantity in French social and economic history and explained clearly is vicissitudes during the 20th century. --
CHOICE This sympathetic account of 'artisans' battle against their own irrelevance' is a welcome blend of social and political history....Zdatny's answers...also offer a worthwhile reassessment of the complex linkages between politics and social class. --
Journal of Modern History Zdatny's sympathetic and well-written study permits us to understand the artisan and his world and to witness the fate of both in modern France. --
American Historical Review A very complete story of the problematic definition and elaboration of a collectivló+