In his first and still most widely read novel, James Joyce makes a strange peace with the traditional narrative of a young man’s self-discovery by respecting its substance while exploding its form, thereby inaugurating a literary revolution.
Published in 1916 when Joyce was already at work onUlysses,A Portrait of the Artist as a Young Manis exactly what its title says and much more. In an exuberantly inventive masterpiece of subjectivity, Joyce portrays his alter ego, Stephen Dedalus, growing up in Dublin and struggling through religious and sexual guilt toward an aesthetic awakening. In part a vivid picture of Joyce’s own youthful evolution into one of the twentieth century’s greatest writers, it is also a moment in the intellectual history of an age.
“
A Portrait of the Artist as a Young Manis in fact the gestation of a soul.” –Richard Ellmann
“One believes in Stephen Dedalus as one believes in few characters in fiction.” –H. G. Wells
“[Mr. Joyce is] concerned at all costs to reveal the flickerings of that innermost flame which flashes its myriad message through the brain, he disregards with complete courage whatever seems to him adventitious, though it be probability or coherence or any other of the handrails to which we cling for support when we set our imaginations free.” –Virginia Woolf
“[
A Portrait of the Artist as a Young Manwill] remain a permanent part of English literature.” –Ezra Pound
With an Introduction by Richard BrownJames Joyce, the twentieth century’s most influential novelist, was born in Dublin on February 2, 1882. The oldest of ten children, he grew up in a family that went from prosperity to penury because of his father’s wastrel behavior. After receiving a rigorous Jesuit education, twenty-year-old Joyce renounced his Catholicism and left Dublin in 1902 to spend most of his ls,