Putting Popular Music in its Place [Paperback]

Essays on the context of popular music and its interrelationships with politics and ideology.This volume of essays by the distinguished musicologist Charles Hamm focuses on the context of popular music: the interrelationships between popular music and other styles and genres, including classical music, the meaning of popular music for audiences, and the institutional appropriation of this music for hegemonic purposes. Specific topics include anti-slavery sentiment, rock'n'roll and soul music in South Africa, the early songs of Irving Berlin, cultural control of music in South Africa and China and the impact of modernisn.This volume of essays by the distinguished musicologist Charles Hamm focuses on the context of popular music: the interrelationships between popular music and other styles and genres, including classical music, the meaning of popular music for audiences, and the institutional appropriation of this music for hegemonic purposes. Specific topics include anti-slavery sentiment, rock'n'roll and soul music in South Africa, the early songs of Irving Berlin, cultural control of music in South Africa and China and the impact of modernisn.This volume of essays by the distinguished musicologist Charles Hamm focuses on the context of popular music and its interrelationships with other styles and genres, including classical music, the meaning of popular music for audiences, and the institutional appropriation of this music for hegemonic purposes. Specific topics include the use of popular song to rouse anti-slavery sentiment in mid-nineteenth-century America, the reception of such African-American styles and genres as rock 'n' roll and soul music by the black population of South Africa, the question of genre in the early songs of Irving Berlin, the attempts by the governments of South Africa and China to impose specific bodies of music on their populations, and the impact of modernist modes of thought on writing about popular musls*