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Reading Renaissance Music Theory Hearing ith the Eyes [Paperback]

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  • Category: Books (Music)
  • Author:  Judd, Cristle Collins
  • Author:  Judd, Cristle Collins
  • ISBN-10:  0521028191
  • ISBN-10:  0521028191
  • ISBN-13:  9780521028196
  • ISBN-13:  9780521028196
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Pages:  364
  • Pages:  364
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2006
  • Pub Date:  01-May-2006
  • SKU:  0521028191-11-MPOD
  • SKU:  0521028191-11-MPOD
  • Item ID: 100870112
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Jan 24 to Jan 26
  • Notes: Brand New Book. Order Now.
Explores fundamental questions about how music examples were read in Renaissance theory books.This groundbreaking book offers a new perspective on a central group of music theory treatises that have long formed a background to the study of Renaissance music. Taking theorists' music examples as a point of departure, it explores fundamental questions about how music was read, and by whom, situating the reading in specific cultural contexts. In particular it illuminates the ways in which the choices of Renaissance theorists have shaped later interpretation of earlier praxis, and reflexively the ways in which modern theory has been mapped on to that practice.This groundbreaking book offers a new perspective on a central group of music theory treatises that have long formed a background to the study of Renaissance music. Taking theorists' music examples as a point of departure, it explores fundamental questions about how music was read, and by whom, situating the reading in specific cultural contexts. In particular it illuminates the ways in which the choices of Renaissance theorists have shaped later interpretation of earlier praxis, and reflexively the ways in which modern theory has been mapped on to that practice.This groundbreaking book offers a new perspective on a central group of music theory treatises that have long formed a background to the study of Renaissance music. Taking theorists' music examples as a point of departure, it explores fundamental questions about how music was read, and by whom, situating the reading in specific cultural contexts. In particular it illuminates the ways in which the choices of Renaissance theorists have shaped later interpretation of earlier praxis, and reflexively the ways in which modern theory has been mapped on to that practice.List of illustrations; Foreward Ian Bent; Preface; Part I. Beginnings: 1. Prologue: Exempli gratia &; 2. Music theory incunabula: printed books, printed music; Part II. 15201540: Pietro Aron and Seyl#B
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