Remaking the Song Operatic Visions and Revisions from Handel to Berio [Hardcover]

Opera performances are often radically inventive. Composers revisions, singers improvisations, and stage directors re-imaginings continually challenge our visions of canonical works. But do they go far enough? This elegantly written, beautifully concise book, spanning almost the entire history of opera, reexamines attitudes toward some of our best-loved musical works. It looks at opera's history of multiple visions and revisions and asks a simple question: what exactly is opera?Remaking the Song, rich in imaginative answers, considers works by Handel, Mozart, Donizetti, Verdi, Wagner, Puccini, and Berio in order to challenge what many regard as sacroscant: the operas musical text. Scholarly tradition favors the idea of great operatic texts permanently inscribed in the canon. Roger Parker, considering examples ranging from Cecilia Bartoli's much-criticized insistence on using Mozart's alternative arias in theMarriage of Figaroto Luciano Berio's new ending to Puccini's unfinishedTurandot,argues that opera is an inherently mutable form, and that all of usperformers, listeners, scholarsshould celebrate operatic revisions as a way of opening works to contemporary needs and new pleasures.

Roger Parker,Professor of Music at the University of Cambridge, is author ofLeonora's Last Act: Essays in Verdian Discourseand editor ofThe Oxford Illustrated History of Opera.

Parker is an outstanding figure in the world of Italian opera, and here the meticulous analysis and excellence of the prose make for a brilliant book with truly radical implications.?Remaking the Songrepresents a scholarly gold-standard. Carolyn Abbate, author ofIn Search of Opera