Romanticism and the Gothic Genre, Reception, and Canon Formation [Hardcover]

The first full-length study of the relationship between Romantic and Gothic literature.This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre--the Gothic. Michael Gamer analyses how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature played a fundamental role in the development of Romanticism as an ideology, tracing the politics of reading, writing and reception at the end of the eighteenth century.This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre--the Gothic. Michael Gamer analyses how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature played a fundamental role in the development of Romanticism as an ideology, tracing the politics of reading, writing and reception at the end of the eighteenth century.This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre--the Gothic. Michael Gamer analyzes how and why Romantic writers drew on Gothic conventions while, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature played a fundamental role in the development of Romanticism as an ideology, tracing the politics of reading, writing and reception at the end of the eighteenth century.Acknowledgments; List of abbreviations; A note on the text; Introduction: Romanticism's 'pageantry of fear'; 1. Gothic, reception and production; 2. Gothic and its contexts; 3. 'Gross and violent stimulants': producing Lyrical Ballads 1798 and 1800; 4. Natiols*