A study of the interaction between Dal?'s art and writing, first published in 1996.Salvador Dalí's Art and Writing, 1927-1942 examines the evolution of Dali's art during the 1920s and 30s, when he was associated, first with the Catalan avant-grade, and then with the Surrealist group in Paris. During this period, Dalí's painting style changed radically, a phenomenon which has never been fully accounted for in the extensive literature on this subject. Haim Finkelstein's study is the first to exmaine these writings in detail as the foundation for the evolution of Dalí's unique artistic vision.Salvador Dalí's Art and Writing, 1927-1942 examines the evolution of Dali's art during the 1920s and 30s, when he was associated, first with the Catalan avant-grade, and then with the Surrealist group in Paris. During this period, Dalí's painting style changed radically, a phenomenon which has never been fully accounted for in the extensive literature on this subject. Haim Finkelstein's study is the first to exmaine these writings in detail as the foundation for the evolution of Dalí's unique artistic vision.Salvador Dalí's Art and Writing, 1927-1942 examines the evolution of Dalí's art during the 1920s and 30s, when he was associated, first with the Catalan avant-grade, and then with the Surrealist group in Paris. During this period, Dalí's painting style changed radically, a phenomenon that has never been fully accounted for in the extensive literature on this subject. Haim Finkelstein's study is the first to examine these writings in detail as the foundation for the evolution of Dalí's unique artistic vision.Part I. Under the Sign of Saint Sebastian: 1. Lorcaean aesthetics, Cubism, and metaphysical painting stylistic developments until 1926; 2. Saint Sebasti? and the proto-surrealist paintings of 1927; 3. Words and images - freedom and the perception of limits; 4. Fear and desire l³*