Samuel Beckett, one of the century's most original playwrights and novelists, was also passionately interested in music. He once told a friend that all his work had been written for a voice.Samuel Beckett and Musicis the first full-length work to deal exclusively with Beckett and music. This collection of essays, most written especially for the volume, brings together a number of leading composers and academics who analyze their response to Beckett's intense musicality.
Foreword,Edward Beckett Introduction,Mary Bryden Part I: Words 1. Words for Music Perhaps,Katharine Worth 2. Beckett and the Sound of Silence,Mary Bryden 3. The Note Man on the Word Man: Morton Feldman on Composing the Music for Samuel Beckett'sWords and MusicinThe Beckett Festival of Radio Plays,Everett Frost 4. Morton Feldman'sNeither: A Musical Translation of Beckett's Text,Catherine Laws 5. Beckett and Holliger,Philippe Alb?ra (trans. Mary Bryden) 6. End Games,Peter Szendy (trans. Veronica Heath) 7. Marcel Mihalovici and Samuel Beckett: Musicians of Return,Edith Fournier (trans. Mary Bryden) 8.That Time: Samuel Beckett and Wolfgang Fortner,Brigitta Weber (trans. Julian Garforth) 9. 'Something is Taking its Course': Dramatic Exactitude and the Paradigm of Serialism in Samuel Beckett,Harry White 10.Proustand Schopenhauer: Music and Shadows,John Pilling Interlude: Memories 1. Music in the Works of Samuel Beckett,Walter Beckett 2. Beckett's Involvement with Music,Miron Grindea Part II: Music 1. Two interviews: Luciano Berio, Philip Glass 2. The Indifference of the Broiler to the Broiled,Roger Reynolds 3. TowardsParole da Beckett,Giacomo Manzoni (trans. Walter Redfern) 4. Songs lă”