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Following in the footsteps of classic films like The Maltese Falcon and The Lady from Shanghai, veteran photographer Fred Lyon creates images of San Francisco in high contrast with a sense of mystery. In this latest offering from the photographer ofSan Francisco: Portrait of a City 1940–1960, Lyon presents a darker tone, exploring the hidden corners of his native city. Images taken in the foggy night are illuminated only by neon signs, classic car headlights, apartment windows, or streetlights. Sharply dressed couples stroll out for evening shows, drivers travel down steep hills, and sailors work through the night at the old Fisherman's Wharf. Stylistically, many of the photographs are experimental the noir tone is enhanced by double exposures, elements of collage, and blurred motion. These strikingly evocative duotone images expose a view of San Francisco as only Fred Lyon could capture.
Fred Lyon studied under famed photographer Ansel Adams and has been called San Francisco's Brassai. A lifelong resident of San Francisco, he has contributed to numerous fashion, home, and garden magazines. His work has been exhibited in San Francisco at the Museum of Modern Art, the Legion of Honor Museum, and the Leica Gallery, as well as the Art Institute of Chicago, and was the subject of aLifemagazine retrospective. Before San Francisco was synonymous with tech money and progressive politics, there were other versions of the city. The version that Fred Lyon celebrates in his new book is a classic-San Francisco full of smoky jazz clubs, neon lights in the fog and sharply dressed men and women stepping on and off of trolley cars. Made mostly during the 1950s and '60s, Lyon's images are big on atmosphere and style, and hit many parts of the city that visitors love.
- Photo District News Those under San Francisco's spell become enthralled by its dynamic light and character: sparkling, or fog shrouded, or shadowy and mysterious, depending on time andlă*
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