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Slave Portraiture in the Atlantic World [Paperback]

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  • Category: Books (Art)
  • ISBN-10:  1107533759
  • ISBN-10:  1107533759
  • ISBN-13:  9781107533752
  • ISBN-13:  9781107533752
  • Publisher:  Cambridge University Press
  • Publisher:  Cambridge University Press
  • Binding:  Paperback
  • Binding:  Paperback
  • Pub Date:  01-May-2016
  • Pub Date:  01-May-2016
  • SKU:  1107533759-11-MING
  • SKU:  1107533759-11-MING
  • Item ID: 100112504
  • Seller: ShopSpell
  • Ships in: 2 business days
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  • Delivery by: Oct 28 to Oct 30
  • Notes: Brand New Book. Order Now.

The first book to focus on the individualized portrayal of enslaved people from the late sixteenth century to abolition in 1888.Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. The essays in this volume address the rare and rather paradoxical existence of slave portraits by probing the historical conditions that made their creation possible and their implications for a more complex understanding of power relations under slavery.Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. The essays in this volume address the rare and rather paradoxical existence of slave portraits by probing the historical conditions that made their creation possible and their implications for a more complex understanding of power relations under slavery.Slave Portraiture in the Atlantic World is the first book to focus on the individualized portrayal of enslaved people from the time of Europe's full engagement with plantation slavery in the late sixteenth century to its final official abolition in Brazil in 1888. While this period saw the emergence of portraiture as a major field of representation in Western art, slave and portraiture as categories appear to be mutually exclusive. On the one hand, the logic of chattel slavery sought to render the slave's body as an instrument for production, as the site of a non-subject. Portraiture, on the contrary, privileged the face as the primary visual matrix for the representation of a distinct individuality. The essays in this volume address this apparent paradox of slave portraits from a variety of interdisciplinary persplƒ6

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