This volume takes an unusual angle on Britain's most famous prehistoric monument, sound and music. It is in two halves, the first examining the archaeoacoustics of Stonehenge, and exporing the anthropology of prehistoric music, the second the legacy, reception and appropriation of Stonehenge by modern musicians from the serious (John Ireland) to the ridiculous (Spinal Tap).This volume takes an unusual angle on Britain's most famous prehistoric monument, sound and music.