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Hilary Neroni teaches in the Film and Television Studies Program at the University of Vermont and is the author of The Violent Woman: Femininity, Narrative, and Violence in Contemporary American Cinema.Considering representations of torture in such television series as 24, Alias, and Homeland; the documentaries Taxi to the Dark Side (2007), Ghosts of Abu Ghraib (2007), and Standard Operating Procedure (2008); and "torture porn" feature films from the Saw and Hostel series, Hilary Neroni unites aesthetic and theoretical analysis to provide a unique portal into theorizing biopower and its relation to the desiring subject. Her work ultimately showcases film and television studies' singular ability to expose and potentially disable the fantasies that sustain torture and the regimes that deploy it.One of the clearest signs of the ethical regression that characterizes the last decade is the changed status of torture in public discourse: no longer a taboo, something that is to be done in secret, torture is today a topic of 'rational' legal, ethical, and medical debates. This renormalization of torture would not have been possible without movies and television series that gradually rendered it acceptable. This is why Hilary Neroni's The Subject of Torture reaches well beyond cultural studies and provides a courageous examination of the ongoing moral catastrophe—everyone who cares about our ethical predicament should read it. The book is not only very readable and simultaneously a work of highest academic standards, it is much more: an alarm call that should awaken us all from our moral slumber.Wonderfully astute, politically timely, and deeply engaging. Hilary Neroni undertakes the pressing task of destroying the logic that sustains contemporary justifications for torture. The Subjectlc
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