Theatre as Voyeurism (re)defines voyeurism as an 'exchange' between performers and audience members, privileging pleasure (erotic and aesthetic) as a crucial factor in contemporary theatre. This intriguing group of essays focuses on artists such as Jan Fabre, Romeo Castellucci, Ann Liv Young, Olivier Dubois and Punchdrunk.Introduction: Staring at the Forbidden: Legitimising Voyeurism; George Rodosthenous PART I: VOYEURISM AND DIRECTING THE GAZE 1. Always Looking Back at the Voyeur: Jan Fabre's Extreme Acts on Stage; Laurens de Vos 2. The Dramaturgies of the Gaze: Strategies of Vision and Optical Revelations in the Theatre of Romeo Castellucci and the Soc?etas Raffaello Sanzio; Eleni Papalexiou PART II: VOYEURISM IN SPACE 3. Intimacy, Immersion and the Desire to Touch: The Voyeur Within; David Shearing 4. In Between the Visible and the Hidden: Modalities of Seeing in Site-specific Performance; William McEvoy PART III: VOYEURISM AND ACTS OF WATCHING 5. The Pleasure of Looking Behind Curtains: Naked Bodies from Titian to Fabre and LeRoy; Luk Van Den Dries 6. Baring All on Stage: Active Encounters with Voyeurism, Performance Aesthetics and 'Absorbed Acts of Seeing'; Fiona Bannon PART IV: VOYEURISM AND EXHIBITING THE BODY 7. Thinking critical/Looking Sexy: a naked white male body in performance; Dani?l Ploeger 8. Viewing the Pornographic Theatre: Explicit Voyeurism, Artaud, and Ann Liv Young's Cinderella; Aaron C. Thomas PART V: VOYEURISM AND NAKED BODIES 9. 'Music for the eyes' in Hair: Tracing the history of the naked singing body on stage; Tim Stephenson 10. Outlying Islands as theatre of voyeurism: Ornithologists, naked bodies and the 'pleasure of peeping'; George Rodosthenous IndexThe volume offers rich critical engagements with this theatrical voyeur by asking what pleasures, intersubjective relations, and sensorial dynamics might emerge from such a model of spectatorship. & Theatre as Voyeurism succeeds at articulating an exciting and novel theoretical frame and l“