Theorizing the Local Music, Practice, and Experience in South Asia and Beyond [Paperback]

Over the past four decades, the globalized aspects of cultural circulation have received the majority of scholarly-and consumer-attention, particularly in the study of South Asian music. As a result, a broad range of community-based and other locally focused performance traditions in the regions of South Asia have remained relatively unexplored.

Theorizing the Localprovides a challenging and compelling counterperspective to the globalized, arguing for the value of comparative microstudies that are not concerned primarily with the flow of capital and neoliberal politics. What does it mean for musical activities to be local in an increasingly interconnected world? To what extent can theoretical activity be localized to the very acts of making music, interacting, and composing?

Theorizing the Localoffers glimpses into rich musical worlds of south and west Asia, worlds which have never before been presented in a single volume. The authors cross the traditional borders of scholarship and region, exploring in unmatched detail a vast array of musical practices and significant ethnographic discoveries-from Nepal to India, India to Sri Lanka, Pakistan to Iran. Enriched by audio and video tracks on an extensive companion Web site,Theorizing the Localis an important study of South Asian musical traditions that offers a broader understanding of 21st-century music of the world.

Covers a great variety of music in India and beyond and is a welcome addition to the scarce literature on this vast area. --Choice

An impressive collection of original and rigorously scholarly essays, exhibiting much of the conceptual depth, ethnographic breadth, and theoretical sophistication of contemporary socio-musical studies of South Asia and its environs. -Peter Manuel, Professor, John Jay College and the CUNY Graduate Center

This collection of case studies collaboratively addresses the diversity and significance ol³g