This pivot considers the history, methodology and practice of Asian theatre and investigates the role of Asian theatre and film in contemporary transnational Asian identities. It critically reviews the topics of transnationalism and intercultural political difference, arguing that the concept of Transnational Asian theatre or 'TransAsia' can promote cultural diversity and social transformation. The book notably offers an understanding of theatre as a cultural laboratory, a repository for diverse histories and a forum for intercultural dialogue, allowing for a better understanding of sociocultural patterns surrounding transnational Asian identity and mobility.
Introduction Transnational Performance, Identity and Mobility in Asia.- Encountering the Alienated Self: Hip-Hop
Jingju Catching Chinese Wind in Contemporary Legend Theatres
108 Heroes.- Translocal Mobility: Hakka Opera
Betrayal Inspired from Shakespeares Lost Play
Cardenio.- Is Universality Possible in Content and Pedagogy?
Les Miserables as an Etude Series for the School Drama Curriculum.- Crossing the Sea: The Theatre Company Ishinhas Geographical Trail.-
Lila or Mela? Richard Schechners Play of the Ramlila of Ramnagar.- Korean Diaspora and the Moebius Strip: Sung Rnos
Yi Sang Counts to Thirteen and Transnational Avant-Garde Theatre.- Noda Hidekis
The Bee and Being Transnational/International.- Disequilibrium: Disability, Gender, and Belonging in Mahesh Dattanis
Tara and Manjula Padmanabhans
Harvest.- The Orient on Ice: Transnational Cultural Portrayals by Asian and Asian-American Figure Skaters.
Iris H. Tuan is ProfesslÃ&
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