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Uncle Tom's Cabin on the American Stage and Screen [Hardcover]

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  • Category: Books (Performing Arts)
  • Author:  Frick, J.
  • Author:  Frick, J.
  • ISBN-10:  0230114075
  • ISBN-10:  0230114075
  • ISBN-13:  9780230114074
  • ISBN-13:  9780230114074
  • Publisher:  Palgrave Macmillan
  • Publisher:  Palgrave Macmillan
  • Pages:  328
  • Pages:  328
  • Binding:  Hardcover
  • Binding:  Hardcover
  • Pub Date:  01-Feb-2012
  • Pub Date:  01-Feb-2012
  • SKU:  0230114075-11-SPRI
  • SKU:  0230114075-11-SPRI
  • Item ID: 100933981
  • List Price: $54.99
  • Seller: ShopSpell
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No play in the history of the American stage has been as ubiquitous and as widely viewed as Uncle Tom's Cabin. This book traces the major dramatizations of Stowe's classic from its inception in 1852 through modern versions on film. Frick introduces the reader to the artists who created the plays and productions that created theatre history.Halfway Between Sermon and Social Theory: The Mania for Tom Mania There is No Arguing with Pictures : The Aiken/Howard Uncle Tom's Cabin A Play to which No Apologist for Slavery Could Object : The Conway/Kimball/Barnum Uncle Tom's Cabin O' It Was a Sight Worth Seeing : Uncle Tom Hits the Road Long Live Uncle Tom! Uncle Tom's Cabin in the Twentieth Century Uncle Tom in Middle Age: From a Stage Tradition to the Silver Screen Epilogue: The Story that Won't Stay Dead

John Frick's comprehensive study of the myriad theatrical and movie interpretations of Uncle Tom's Cabin should be required reading for all scholars of American culture and theatre . . . The scope and breadth of Frick's study is truly epic . . . [it] masterfully and comprehensively synthesizes mountains of primary research data and scholarship on the major American stage and screen adaptations of Uncle Tom's Cabin. - Journal of Dramatic Theory and Criticism

Frick not only illuminates nineteenth century stage practices (for example, the odious custom of white actors performing in blackface) and the play itself, but he also provides a panoramic view of the titanic social issues inherent in the play and that the work directly influenced, in regard to slavery . . . Frick's eye for engaging details and his astute and thorough scholarship provide a treasure trove for theatre and cultural historians . . . Frick's study makes clear that the play's ongoing dialogue with its culture, for better or worse, is as enduringly American as that proverbial apple pie. - Broadside

Covering major theatrical and cinematic adaptation from thlÏ

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