Violin Varnish [Paperback]

VIOLIN VARNISH A Plausible Re-creation of the Varnish Used by the Italian Violin Makers Between the Years 1550 and 1750, A. D. By JOSEPH MICHELMAN Published by JOSEPH MICHELMAN, Cincinnati, Ohio, U. S. A. 1946 Introduction PUBLICATION OF THIS BOOK is approached with a little temerity. After more than eight years of extensive research on the varnish used by the Italian Violin Makers from 1550 to 1750 A. D., it has not been possible to corroborate the results in the chemical laboratory. This is due entirely to the unavailability of samples of the varnish for confirmatory analysis. Violins made by the Italian masters of this period are so valuable and so scarce that a small sample of the varnish has not been procurable for experi mental purposes. Therefore, synthesis must precede analysis .... and with no assistance from the latter. This, then, will explain the sub-title of this book as A Plausible Re-creation of the Varnish Used by the Italian Makers Between the Years 1550 and 1750 A. D. However, the results of this investigation are so logical and so deeply supported by a vast amount of convincing evidence, that publication of the book is in order. First, possibly the find ings will be confirmed, or otherwise, by investigators who may be more fortunate in having access to material from authentic violins made by the old masters. Confirmatory chemical tests will be suggested it should be comparatively simple, especially through modern micro-analytical methods, to determine the presence of certain constituents in the varnish. Secondly, possibly the results will be suggestive to others so that the confirmed rediscovery of the so-called lost art of var nishing violins will eventually ensue. It is unfortunate that this policy of freely exchanging ideas and information has not gen erally existed. Almost every violin-maker has his own private formulas for varnishes, which he treasures highly and guards closely. The secret of the old Italian masters has defied dis covery for l³