Nineteenth-century American writers frequently cast the Mormon as a stock villain in such fictional genres as mysteries, westerns, and popular romances. The Mormons were depicted as a violent and perverse people--the viper on the hearth --who sought to violate the domestic sphere of the mainstream. While other critics have mined the socio-political sources of anti-Mormonism, Givens is the first to reveal how popular fiction, in its attempt to deal with the sources and nature of this conflict, constructed an image of the Mormon as a religious and social Other.
A wonderfully thought-through look at the interrelationships between fiction, religion, and the culture of humor/hostility....It represents a significant contribution to our understanding of literary relations. --Larry H. Peer,
Brigham Young UniversityIn this fascinating study, he examines how Mormons have been constructed as the great and abominable other . Interestingly, although the religion was once scorned for its weirdness, it is now because Mormons occupy what used to be the center that they fall into contempt (164).--
Utah HistoricalQuarterly The prose, illustrations, and overall construction of the book are aesthetically pleasing. The exemplary scholarship significantly enriches Mormon historiography....Few books succeed, as this one does, in stimulating thought far beyond their own scope. --
Journal of Mormon History Contains provocative insights into American culture, LDS identity, nineteenth-century literature, rhetorics of oppression, and religious formation....I highly recommend this book. --
Religious Studies Review This is the first full explanation of why Mormons have been demonized by a nation that prides itself on open toleration of all faiths. Givens carefully appraises every past explanation for the printed attacks and physical persecutions that occurred from the 1830s onward, as newspapers, nlS(